If the beginning could have more space and silence in it up until 1:03-1:45.
—OK; let me know if you still want it thinner.
I love the transition that happens at 2:23 – can we keep that sound going just a little longer?
— I’m not sure if you mean the sustained piano or the choppy one. Is this version a step in the right direction?
Could we return to the slightly quieter moments around 3:58 to contrast the frantic movement of the dancers?
— better now?
I would like to have a very distinct cue for the dancers at 4:18 (could be silence or noise) It should have a break type feeling and then they all run to the upstage corner.
— OK?
Is it possible for us to put a cue in for the dancer that runs around in the circle. I hear one at 7:23 when she does the cartwheel on the other dancer in the back. Maybe another at 7:36 or so…
— There’s a memorable gasp peaking about 7:33, so I added booms at 7:44 and 7:56. Is that helpful?