Collins, Ch. 3 New Sounds and New Instruments

Franklin’s lightning bells

Delaborde’s Clavecin életcrique (1759): http://120years.net/clavecin-electrique-1759/

 

Helmholtz’s Klang Synthesizer (1863)

More information: https://120years.net/helmholtz-sound-synthesiser-max-kohl-germany-1905/

 

Elisha Gray’s Musical Telegraph (1874): https://120years.net/the-musical-telegraphelisha-greyusa1876/

A (poor-sounding) demonstration of the basic mechanism:

 

Thaddeus Cahill’s Telharmonium (1897; note: no audio recordings of the Telharmonium exist)

 

Choralcelo (1907) with sound recording: https://120years.net/the-choralcelomelvin-severyusa1909/

 

Clara Rockmore playing the theremin

 

 

Jörg Mager’s synthesizers, including the sphärophon

The Electrophon (1921), Sphäraphon(1924), kurbelsphärophon (1926), Klaviatursphäraphon(1928), Partiturophon (1930) and Kaleidophon(1939). Jörg Mager, Germany.

 

An example of acoustic quarter-tone music from Jörg Mager’s time

 

Oskar Sala demonstrating the Trautonium (1928, video from 1986)

https://www.youtube.com/watch?v=uaWrdbvhg1Q#t=95

 

Paul Hindemith’s Konzertstück for Trautonium and strings (1931, recorded 1978)

 

Hindemith’s Des kleinen Elektromusikers Lieblinge for 3 Trautoniums (1930; recorded in 1963)

 

Ondes Martenot (1928)https://www.youtube.com/watch?v=V8qAZQnkbkA

https://www.youtube.com/watch?v=V8qAZQnkbkA

 

Olivier Messiaen, Fête des belles aux for six ondes Martenot (1937; recorded 2015)

 

Messiaen, Turangalila symphony, including ondes Martenot (1948, recorded 2008)

 

Rossiné’s Optophonic Piano (1916): https://120years.net/the-optophonic-pianovladimir-rossinesoviet-union1916/

 

Hardy-Goldthwaite organ (1931): https://120years.net/the-hardy-goldthwaite-organ-hardy-goldthwaite-usa-1930/

 

Frederick Sammis’s Singing Keyboard (1934): https://120years.net/the-singing-keyboard-fredrick-minturn-sammis-james-nuthall-usa-1934/

 

Hand-drawn sound by Arseny Avraamaov (1930s)

 

Hammond organ (1935—this is a digital recreation, but this video demonstrates the timbral range well, especially the ending at 2:43)

 

Hammond Novachord (1939)