Jeff Morris

composer, performer, and educator

Main menu

Skip to primary content
Skip to secondary content
  • Home
  • About
  • News
  • Compositions
  • Performances
  • Curating
  • Writing
  • Teaching
    • Electronic Composition
      • Commission Request Form
      • FAQ for All My Courses
    • History of Electronic Music
      • Additional Reading
      • FAQ for All My Courses
    • Introduction to Performance Technology
      • FAQ for All My Courses
    • Music & Technology
      • FAQ for All My Courses
    • Recording and the Producer
      • FAQ for All My Courses
    • ZenMan X
      • Assignments
      • Notes
      • Reference
        • Charlotte Moorman Resources
        • Dropbox Link
        • Maiß’s Instrument and Gear
        • Maiß Playing Techniques
        • Maiß Website (for feedback)
        • Student Portfolios
  • YouTube

Category Archives: Courses

Post navigation

← Older posts

Appropriation and Social Responsibility Notes

Posted on April 24, 2018 by admin

Copyright Clearance Center, “Copyright Basics”—https://www.youtube.com/watch?v=Uiq42O6rhW4

 

Copy-Me, “Early History of Copyright,” highlighting the political interests at play

 

Continue reading →

Posted in History of Electronic Music

Collins Ch. 13: Live Electronic Music

Posted on April 17, 2018 by admin

Squarepusher performing live in 2005

 

Continue reading →

Posted in History of Electronic Music

Collins Ch. 12: Further Connections

Posted on April 10, 2018 by admin

Richard Wagner, Brünnhilde’s immolation scene in Götterdämmerung (Twilight of the Gods, 1848; performed in 1991)

Continue reading →

Posted in History of Electronic Music

Audiovisual Fixed Media Works for Analysis

Posted on April 5, 2018 by admin

These are the works you’ll be analyzing this semester. They’re all fixed media, so you can focus on the aesthetics of the pure visuals and sound without thinking about the performative aspects for now.

Continue reading →

Posted in Introduction to Performance Technology

Collins Ch. 11: Sound Art

Posted on April 3, 2018 by admin

Visual art by Marcel Duchamp

  • Nude Descending a Staircase, No. 2 (1912)
  • The Bride Stripped Bare by Her Bachelors, Even (Large Glass; 1915–1923)
  • Bicycle Wheel (1913)
  • Fountain (1917)

Continue reading →

Posted in History of Electronic Music

Classical Electroacoustic Performance Practice

Posted on March 30, 2018 by admin
  • Layouts
    • Speaker layouts: cinematic vs equilateral
    • Venue layouts: proscenium vs black box
    • Sound and light operator positions

Continue reading →

Posted in Electronic Composition, Introduction to Performance Technology, Music & Technology

Case Study Presentations

Posted on March 27, 2018 by admin

Tuesday, April 17

  • Xavier
  • Darwin
  • Omar
  • Delmy
  • Aubrey

Thursday, April 19

  • Olivia
  • Mattey
  • Michael
  • Ashley

Tuesday, April 24

  • Gabriella
  • Adeline
  • Jasmine
  • Matthew

Thursday, April 26

  • Trevor
  • Esmerelda
  • Shao
  • Harvey
Posted in Introduction to Performance Technology

Collins Ch. 10: Experimental Electronica

Posted on March 27, 2018 by admin

Ambient Music

Erik Satie, Furniture Music (1920)

Continue reading →

Posted in History of Electronic Music

Collins Ch. 9: Continuing the Classical

Posted on March 20, 2018 by admin

Varèse, Poème électronique in the Philips Pavillion (1958)—review

Continue reading →

Posted in History of Electronic Music

Troubleshooting Notes

Posted on March 9, 2018 by admin

METHODS

Continue reading →

Posted in Introduction to Performance Technology

Post navigation

← Older posts

Collaborators

  • Amy Guerin, theatre
  • Anne Quackenbush, theatre
  • April Zanne Johnson, visual artist
  • Autum Casey, designer, theatre
  • Butch Morris, composer, improviser
  • Butch Rovan, composer
  • Carisa Armstrong, dance
  • Chapman Welch, composer, guitar
  • Chiara Liuzzi, piano, voice
  • Christine Bergeron, dance
  • Craig Hauschildt, percussion
  • David Donkor, theatre
  • Elisabeth Blair, voice, composer, poet
  • Eric km Clark, violin, composer
  • Hester Pilz, visual artist
  • I-Park Foundation
  • International Journal of Art, Culture and Design Technologies
  • Ivan Božičević, composer, keyboards
  • Jayson Beaster-Jones, saxophone
  • Jeff Zischke, visual artist
  • Joe Hertenstein, percussion, composer
  • Jon Anderson, composer, dance
  • Karl Berger, vibraphone, piano, composer, improviser
  • Kathryn Woodard, piano
  • Kevin Patton, composer, guitar
  • Kristine Eudey, visual artist
  • Kyle Sanna, guitar, composer
  • Laboratorio 060, performance art
  • LBJ Presidential Library & Museum
  • Mariana Gariazzo, flutes
  • Miguel Espinel, composer, musician
  • Musinfo Association
  • Myra Melford, piano, composer, improviser
  • Nana Pi Aabo Larsen, saxophone, composer
  • Pernille Mejer, voice, composer
  • Rosane Chamecki, dance
  • Sarah Gamblin, dance
  • Scottsdale Public Art
  • Susan Wolf, visual artist
  • Ulrich Maiß, cello

Tags

acoustic aesthetics Afterimages algorithmic algorithmic-composition Ancient Chinese Secret award brass cello collaboration dance electroacoustic emergent featured feedback fixed media flute found•sound generative horn improvisation installation instrument•design intermedia liveness live sampling live sampling media mixer nature network photography piano Portugal publication Research•Embodied saxophone site-specific sound•design student•work theatre video Weblogmusic wiimote woodwinds

Meta

  • Register
  • Log in
  • Entries feed
  • Comments feed
  • WordPress.org

Tags

acoustic aesthetics Afterimages algorithmic algorithmic-composition Ancient Chinese Secret award brass cello collaboration dance electroacoustic emergent featured feedback fixed media flute found•sound generative horn improvisation installation instrument•design intermedia liveness live sampling live sampling media mixer nature network photography piano Portugal publication Research•Embodied saxophone site-specific sound•design student•work theatre video Weblogmusic wiimote woodwinds
Proudly powered by WordPress